{"id":491,"date":"2020-09-30T19:43:05","date_gmt":"2020-09-30T19:43:05","guid":{"rendered":"http:\/\/project-blanche.com\/versions-of-me\/"},"modified":"2026-01-25T16:56:51","modified_gmt":"2026-01-25T16:56:51","slug":"versions-of-me","status":"publish","type":"page","link":"https:\/\/project-blanche.com\/hu\/versions-of-me\/","title":{"rendered":"v\u00e1ltozataim"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

P\u00e9ter Szabina<\/h3>\n\n\n\n

1987-ben sz\u00fcletett \u00d3zdon, audiovizu\u00e1lis m\u0171v\u00e9sz, fotogr\u00e1fus, eszt\u00e9ta. Jelenleg els\u0151sorban a multim\u00e9dia, az install\u00e1ci\u00f3s, fot\u00f3- \u00e9s vide\u00f3m\u0171v\u00e9szet, valamint az elektronikus zene ter\u00fclet\u00e9n alkot. 2020 \u00f3ta a blanche the vidiot<\/em> \u00e9s a dj goodbye<\/em> tagja. <\/p>\n\n\n\n

t\u00f6bb inf\u00f3: \/http:\/\/peterszabina.com\/<\/a><\/p>\n\n\n\n

https:\/\/on.soundcloud.com\/BAoLm<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

Bodn\u00e1r J\u00e1nos Krist\u00f3f<\/h3>\n\n\n\n

1984-ben sz\u00fcletett Ny\u00edregyh\u00e1z\u00e1n, audiovizu\u00e1lis alkot\u00f3, hangm\u00e9rn\u00f6k, filoz\u00f3fus. Jelenleg f\u0151k\u00e9nt a vide\u00f3m\u0171v\u00e9szet \u00e9s az elektronikus zene \u00e9rdekli – ut\u00f3bbin bel\u00fcl legink\u00e1bb az anal\u00f3g \u00e9s digi\u00e1lis hangszint\u00e9zis \u00e1ll hozz\u00e1 k\u00f6zel. 2020 \u00f3ta a blanche the vidiot <\/em>\u00e9s a dj goodbye<\/em> tagja.<\/p>\n\n\n\n

https:\/\/on.soundcloud.com\/BAoLm<\/a><\/p>\n\n\n\n

Tags\u00e1g: <\/h2>\n\n\n\n

2025, Magyar Filmm\u0171v\u00e9szek Sz\u00f6vets\u00e9ge<\/p>\n\n\n\n

D\u00edj: <\/h2>\n\n\n\n

2025, 44. Magyar Filmszemle, k\u00eds\u00e9rleti filmes kateg\u00f3ria k\u00fcl\u00f6nd\u00edj<\/p>\n\n\n\n

\n

Ki\u00e1ll\u00edt\u00e1s: <\/h2>\n\n\n\n

2026, blanche the vidiot: \u00e9l\u0151<\/em>, kur\u00e1tor: Sz\u00e9plaky Gerda, FUGA, Budapest<\/p>\n\n\n\n

2025, 30 \u00e9v \u2013 ArtColony Cered<\/em>, RE\u00d6K, Szeged<\/p>\n\n\n\n

2025, United in Spirit – Art without Borders, 30 years of ArtColony Cered<\/em>, Neumarkt Artist Village, Ausztria<\/p>\n\n\n\n

2025\/2026, Ghosts in the Machines<\/em> online and offline pavilion at The Wrong Biennale, curated by Matteo Campulla, Visualcontainer[.Box], Mil\u00e1n\u00f3, Olaszorsz\u00e1g<\/p>\n\n\n\n

2025\/2026, Artificial Lines of Flight<\/em> online and offline pavilion at The Wrong Biennale, curated by Isil Ezgi Cel\u00edk, capitArt-X, London, UK<\/p>\n\n\n\n

2025\/2026, Fragility in the Eye of the Beholder <\/em>online and offline pavilion at The Wrong Biennale, curated by Olesya Ilenok and Andrey Chugunov, Glasgow, Aberdeen, Sk\u00f3cia<\/p>\n\n\n\n

2025\/2026, The Distance of The Blue<\/em> online pavilion at The Wrong Biennale, curated by Ping Ho<\/p>\n\n\n\n

2025\/2026, AI ID<\/em> online pavilion at The Wrong Biennale, curated by Karolina Maliszewska<\/p>\n\n\n\n

2025, Loop N\u00e9gyzet<\/em> shortlist, f|x|r gallery, M\u0171v\u00e9szetek H\u00e1za Veszpr\u00e9m<\/p>\n\n\n\n

2025, rite x Cered<\/em>, Gallery 23, Cered<\/p>\n\n\n\n

2025, Echoes: Memory<\/em>, Meno Parkas Gallery, Kaunas, Litv\u00e1nia<\/p>\n\n\n\n

2025, blanche the vidiot – Palik Eszter: NORMA<\/em>, ART9 Gal\u00e9ria, Budapest<\/p>\n\n\n\n

2025, blanche the vidiot: mi a baj? – kiterjesztett verzi\u00f3<\/em>, Dobozi 21, Budapest<\/p>\n\n\n\n

2024\/2025, Tudatos M\u0171vek<\/em>, RE\u00d6K, Szeged, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, \/\u02c8k\u00e6n\u0259b\u026as\/<\/em>, TOP e.V , Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2024, Melting Walls<\/em>, murmurcontemporary, Montreaux, Sv\u00e1jc<\/p>\n\n\n\n

2024, LEUDHERO \/ BINNAR 2024<\/em>, Casa-Museu Soledade Malvar, Vila Nova de Famalic\u00e3o, Portug\u00e1lia<\/p>\n\n\n\n

2024, Wunderkammer Cered<\/em>, Gallery \u201923, ArtComplex Cered, Cered, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, Nature Exposed<\/em>, Millepiani Gallery, R\u00f3ma, Olaszorsz\u00e1g<\/p>\n\n\n\n

2024, RE_THINK<\/em>, Koniare\u0148 Gallery, Trebi\u0161ov, Szlov\u00e1kia<\/p>\n\n\n\n

2024, SITES&ROOTES II<\/em>., ArtComplex, Gal\u00e9ria 23, Cered, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, Wunderkammer Cered<\/em>, ArtColony Cered, ArtPiknik2024, Cered, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, SITES&ROOTES<\/em>, Galeria Neon ASP Wroc\u0142aw, Lengyelorsz\u00e1g<\/p>\n\n\n\n

2024, ecoSYNTH: from fungiverse to metaverse<\/em>, Vorspiel \/ transmediale & CTM 2024, TOP e.V , Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2024, Maybe Fake’s What I Like!, Wrong Biennale n\u00b06<\/em><\/p>\n\n\n\n

2023, Best of ArtColony Cered, <\/em>G18 Gallery, Zl\u00edn, Csehorsz\u00e1g<\/p>\n\n\n\n

2023 Miami New Media Festival<\/em>, XVIII Edition, Global Healing<\/em>, Miami, USA <\/p>\n\n\n\n

2023\/2024, ANIMA Pavilion<\/em>, Wrong Biennale n\u00b06, 2023\/2024, C\u00fa R\u00fa Space, \u0110\u00e0 L\u1ea1t, Vietn\u00e1m <\/p>\n\n\n\n

2023\/2024, Sensory Disconnection Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023\/2024, Black Holes Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023\/2024, Adam Meets Eve Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023\/2024, Metatopia – Espa\u00e7os H\u00edbridos pavilion<\/em>, Aisthesis Lab, Wrong Biennale n\u00b06, <\/p>\n\n\n\n

2023\/2024, Sirena Pavilion<\/em>, Wrong Biennale n\u00b06, #DUMPHAUS, Tokyo, Jap\u00e1n <\/p>\n\n\n\n

2023\/2024, soro soro Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023\/2024, Net art died but is doing well Pavilion<\/em>, Wrong Biennale n\u00b06, <\/p>\n\n\n\n

2023\/2024, VerbicovoVirtual Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023, Ceredi Kort\u00e1rs Nemzetk\u00f6zi M\u0171v\u00e9sztelep \u00e9s k\u00f6re<\/em>, \u00dajM\u0171hely Gal\u00e9ria, Szentendre<\/p>\n\n\n\n

2023, Tabu<\/em>, ArtColony Cered, Cered<\/p>\n\n\n\n

2023, F\u00fcrjesi Csaba: Agap\u00e9<\/em>, Salzburger Kunstverein, Salzburg, Ausztria<\/p>\n\n\n\n

2023, Adapt\u00e9r x B\u00e1nkit\u00f3 | KI\u00c1LL\u00cdT\u00c1S<\/em>, Adapt\u00e9r, Budapest<\/p>\n\n\n\n

2023, Art NFT Biennial, „The Catharsis of a Strange Prophecy”, Anamnesis and Ouroboros Pavillion<\/em>, Isztambul (Zorlu PSM), Berlin, New York, Amszterdam, P\u00e1rizs, London, Bogota, Ichinomiya (Japan), Br\u00fcsszel<\/p>\n\n\n\n

2022, T\u00e1jm\u0171v\u00e9szet – Hagyj kreat\u00edv l\u00e1bnyomot!,<\/em> Budatower Gallery, M\u00e1ria Magdolna Torony, Budapest<\/p>\n\n\n\n

2022, Civility Vs. Violence<\/em>, Miami New Media Festival, ArtToSaveLives Contemporary, USA, Miami<\/p>\n\n\n\n

2022, SOUNDTEXT. Some Currents of Contemporary Poetry<\/em>, \u0160kuc Gallery, Szlov\u00e9nia, Ljubljana<\/p>\n\n\n\n

2022, Art Colony. Cered 25+2<\/em>, Gal\u00e9ra FX, Szlov\u00e1kia, Beszterceb\u00e1nya<\/p>\n\n\n\n

2022, Grote<\/em>szk, ArtPiknik Cered 3.0, ArtColony Cered, Cered<\/p>\n\n\n\n

2021-22, ESSENCE \/ ABSENCE<\/em>, [ Pavillion of The Wrong Biennale n\u00b05]<\/p>\n\n\n\n

2022, „We Are Joseph Beuys”,<\/em> CON-TEMPORARY Art Observatorium, Lavagna, Olaszorsz\u00e1g<\/p>\n\n\n\n

2022, Freedom for free<\/em>, Millepiani Gallery, R\u00f3ma, Olaszorsz\u00e1g<\/p>\n\n\n\n

2021, INTER<\/em>–CERED<\/em>, Cered-Budapest-Vars\u00f3, Art Salon Contemporary, Budapest<\/p>\n\n\n\n

2021, Folklore and traditions<\/em>, Millepiani Gallery, R\u00f3ma, Olaszorsz\u00e1g<\/p>\n\n\n\n

2021, Re-connect Art festival, Prague Biennale Projekt, Pr\u00e1ga, Csehorsz\u00e1g<\/p>\n\n\n\n

2021, Hang\u00e1r, ArtPiknik 2.0 Cered<\/em>, ArtColony Cered, Cered<\/p>\n\n\n\n

2021, \u00cdRMAG\/OFFSPRING<\/em> \u2013 T\u00f3th Kinga install\u00e1ci\u00f3ja, Sz\u00e9chenyi utca, Debrecen<\/p>\n\n\n\n

2020 \u00c9let \u2013 Jelek<\/em>, MANK Gal\u00e9ria, Szentendre<\/p>\n\n\n\n

2020 eco media art<\/em>, DIG gallery, Kassa, Szlov\u00e1kia<\/p>\n\n\n\n

2020 eco media art<\/em>: when work of art is something inbetween, ArtColony Cered, Cered<\/p>\n\n\n\n

Vet\u00edt\u00e9s:<\/h2>\n\n\n\n

2026, ecoSYNTH\u00b2 \u2014 Living Interfaces<\/em>, Vorspiel \/ transmediale & CTM 2026, TOP e.V , Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2026, 45<\/em>. Magyar Filmszemle, k\u00eds\u00e9rleti \u00e9s vide\u00f3klip versenykateg\u00f3ria, Corvin mozi, Budapest<\/p>\n\n\n\n

2026, Live Soundtrack official selection<\/em>, Belgr\u00e1d, Szerbia<\/p>\n\n\n\n

2025, Under Szubcult online<\/em>, 2025-12-19<\/p>\n\n\n\n

2025, The 2st International Anarchist Fireplace Film and Video Festival<\/em>, Dobozi21, Budapest<\/p>\n\n\n\n

2025, 21. Feh\u00e9rv\u00e1szon F\u00fcggetlenfilm Fesztiv\u00e1l<\/em>, Sz\u00e9kesfeh\u00e9rv\u00e1r<\/p>\n\n\n\n

2025, Resonant Ecologies<\/em>, Swiss Society for Acoustic Ecology, murmurcontemporary, Montreaux, Sv\u00e1jc<\/p>\n\n\n\n

2025, 29. Videomedeja Festival <\/em>competition program, Cultural Station Svilara, Novi Sad, Szerbia<\/p>\n\n\n\n

2025, 70. Orsz\u00e1gos F\u00fcggetlen Film Fesztiv\u00e1l<\/em> competition program, MAFSZ, Duna\u00fajv\u00e1ros <\/p>\n\n\n\n

2025, ALC VideoArt Festival<\/em>, Museum of Contemporary Art of Alicante (MACA) \/  Gravina Museum of Fine Arts (MUBAG), Spanyolorsz\u00e1g<\/p>\n\n\n\n

2025, Under Szubcult online<\/em>, 2025-09-19<\/p>\n\n\n\n

2025, II.<\/em> Celluloidra Revolverrel K\u00eds\u00e9rleti Filmfesztiv\u00e1l<\/em>, Kaleidoszk\u00f3p H\u00e1z, Esztergom<\/p>\n\n\n\n

2025, Celluloidra Revolverrel K\u00eds\u00e9rleti Filmfesztiv\u00e1l<\/em>, Apoll\u00f3 Mozi, P\u00e9cs<\/p>\n\n\n\n

2025, 44. Magyar Filmszemle verseny kateg\u00f3ria (k\u00eds\u00e9rleti film)<\/em>, Corvin Mozi, Budapest<\/p>\n\n\n\n

2024, The 1st International Anarchist Fireplace Film and Video Festival<\/em>, Dobozi21, Budapest<\/p>\n\n\n\n

2024, I. Celluloidra Revolverrel K\u00eds\u00e9rleti Filmfesztiv\u00e1l \u00e9s Szakmai Konferencia<\/em>, Kaleidoszk\u00f3p H\u00e1z, Esztergom, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, Technocene Digital<\/em> \/ Metallisches Fest<\/em>, <\/strong>Tempelhof Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2024, Under Szubcult online<\/em>, 2024-06-15<\/p>\n\n\n\n

2024, Under Szubcult online<\/em>, 2024-05-18<\/p>\n\n\n\n

2024, Electrical Jungle<\/em>, Collegium Hungaricum, Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2024, Filmetry ’24,<\/em> POETICS OF CINEMA, Michigan, USA<\/p>\n\n\n\n

2024, Nemb\u00e1j Fest Industrial \u00e9s Experimental Nemzetk\u00f6zi Tal\u00e1lkoz\u00f3<\/em>, H\u00e1rom Holl\u00f3, Budapest<\/p>\n\n\n\n

2024, StAnza On Screen<\/em>, Scotland’s International Poetry Festival, Cupar, Sk\u00f3cia<\/p>\n\n\n\n

2023, Alternative Film Video 2023<\/em>, \u00dajbelgr\u00e1d, Szerbia <\/p>\n\n\n\n

2023 T\u00f3th Kinga: AnnaMaria sings\/singt\/\u00e9nekel \u2013 k\u00f6tetbemutat\u00f3<\/em>, MODEM, MadgaFeszt, Debrecen <\/p>\n\n\n\n

2023, Mister Vorky Film Festival<\/em>, Ruma, Szerbia<\/p>\n\n\n\n

2023, Vacations in the Subconscious<\/em>, Torrance Art Museum\/Alphabet Art Centre, Los Angeles\/Cologne<\/p>\n\n\n\n

2023, Cadence Video Poetry Festival<\/em>, Northwest Film Forum, USA, Washington, Seattle <\/p>\n\n\n\n

2023, Under Szubcult online<\/em>, 2023-03-11<\/p>\n\n\n\n

2023, Zerbrechlichkeit<\/em>, ProArtiSt Productions, Vreden, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2023, Under Szubcult online<\/em>, 2023-01-28<\/p>\n\n\n\n

2023, V\u00cdZALATT\u00c9NEKELNI \/ SINGINGUNDERWATER, \u00c1tl\u00e1tsz\u00f3 Hang Fesztiv\u00e1l 2023<\/em>, Budapest<\/p>\n\n\n\n

2022, Bach \u2013 Tod \u2013 Tanz<\/em>, ProArtiSt Productions, Nordhausen Th\u00fcringen, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2022, Saigon Experimental Film Festival IV., ” Mama told me I’m experimental”,, Vietn\u00e1m<\/p>\n\n\n\n

2022, Leap Off Page<\/em>, Veliko Tarnovo, Bulg\u00e1ria<\/p>\n\n\n\n

2022, ZEBRA Poetry Film Festival<\/em>, Kulturbrauerei Berlin, N\u00e9metorsz\u00e1g, Berlin<\/p>\n\n\n\n

2022, Under Szubcult online<\/em>, 2022-10-22<\/p>\n\n\n\n

2022, Antropoc\u00e9n kil\u00e1t\u00e1sok konferencia<\/em>, Angol-Amerikai Int\u00e9zet, Debreceni Egyetem, Debrecen<\/p>\n\n\n\n

2022, Light Year 90: ULTRA SHORTS and NFTs<\/em>, Leo Kuelbs Collection, New York-Toronto-Berlin<\/p>\n\n\n\n

2022, 06. Magyar Klipszemle<\/em>, Aquarium Club, Budapest<\/p>\n\n\n\n

2022, Under Szubcult online<\/em>, 2022-09-03<\/p>\n\n\n\n

2022 URBANSONICS<\/em>, www.coldbench.com<\/p>\n\n\n\n

2022, Under Szubcult online, 2022-05-21<\/p>\n\n\n\n

2021, 05. Magyar Klipszemle, Akv\u00e1rium, Budapest<\/p>\n\n\n\n

2021, 9th International Video Poetry Festival, Ath\u00e9n, G\u00f6r\u00f6gorsz\u00e1g<\/p>\n\n\n\n

Live act: <\/h2>\n\n\n\n

2025, allegory of a cave<\/em>, II. Celluloidra Revolver<\/em>rel K\u00eds\u00e9rleti Filmfesztiv\u00e1l \u00e9s Szakmai Konferencia<\/em>, Kaleidoszk\u00f3p H\u00e1z, Esztergom<\/p>\n\n\n\n

2025, Made in Debrecen Fesztiv\u00e1l,<\/em> MODEM, Debrecen, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, F\u0171szer Csemege feat. Jazzaj<\/em>, MODEM, Debrecen, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, UH FEST 2024<\/em>, Turbina, Budapest, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, \u200dI. Celluloidra Revolverrel K\u00eds\u00e9rleti Filmfesztiv\u00e1l \u00e9s Szakmai Konferencia<\/em>, <\/em>Kaleidoszk\u00f3p H\u00e1z, Esztergom<\/p>\n\n\n\n

2024, VJ vet\u00edt\u00e9s<\/em> – Kissz\u00e1nt\u00f3, DJ K + Jazzszigor<\/em>, F\u0171szer Csemege feat. Jazzaj, MODEM, Debrecen, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, VJ vet\u00edt\u00e9s – Bolcs\u00f3-Gy\u00e1rf\u00e1s, Ohno!<\/em>, F\u0171szer Csemege feat. Jazzaj, MODEM<\/p>\n\n\n\n

2024, Nemb\u00e1j Fest Industrial \u00e9s Experimental Nemzetk\u00f6zi Tal\u00e1lkoz\u00f3<\/em>, H\u00e1rom Holl\u00f3, Budapest<\/p>\n\n\n\n

2024, Mellkas sz\u00fatra<\/em>, Made in Debrecen Fesztiv\u00e1l<\/em>, MODEM, Debrecen<\/p>\n\n\n\n

2023, noise vegetation<\/em>, Made in Debrecen Fesztiv\u00e1l<\/em>, Debrecen<\/p>\n\n\n\n

2022, Gyaloghaddal a csillag-lejt\u0151n<\/em>, M\u00fazeumok \u00e9jszak\u00e1ja, Kass\u00e1k M\u00fazeum, Budapest<\/p>\n\n\n\n

2022, Metropolis – hangbesz\u00e9dek, Aur\u00f3ra, Budapest<\/p>\n\n\n\n

Projekt: <\/h2>\n\n\n\n

2025, Liber Novus 2.0<\/em>, AR projekt, kur\u00e1tor: Xristina Sarli, N\u00e9metorsz\u00e1g, Berlin<\/p>\n\n\n\n

2023, ‘Ahogy a n\u0151k sz\u00f3lnak<\/em>‘, Kass\u00e1k Kort\u00e1rs M\u0171v\u00e9szeti d\u00edj, finalista projekt T\u00f3th King\u00e1val \u00e9s Silvia Rosanival, Kass\u00e1k M\u00fazeum, Budapest<\/p>\n\n\n\n

2022, 2024, \u2019Electrical jungle\u2019 <\/em>projekt T\u00f3th King\u00e1val \u00e9s Silvia Rosanival (Hannsmann\u2010Poethen\u2010Stipendium 2022), Theater Rampe, Stuttgart \/ Collegium Hungaricum, Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2022, Szigligeti \u00d6sszm\u0171v\u00e9szeti Szimp\u00f3zium, Szigligeti Alkot\u00f3h\u00e1z, MANK Nonprofit Kft.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

P\u00e9ter Szabina 1987-ben sz\u00fcletett \u00d3zdon, audiovizu\u00e1lis m\u0171v\u00e9sz, fotogr\u00e1fus, eszt\u00e9ta. Jelenleg els\u0151sorban a multim\u00e9dia, az install\u00e1ci\u00f3s, fot\u00f3- \u00e9s vide\u00f3m\u0171v\u00e9szet, valamint az elektronikus zene ter\u00fclet\u00e9n alkot. 2020 \u00f3ta a blanche the vidiot \u00e9s a dj goodbye tagja. t\u00f6bb inf\u00f3: \/http:\/\/peterszabina.com\/ https:\/\/on.soundcloud.com\/BAoLm Bodn\u00e1r J\u00e1nos Krist\u00f3f 1984-ben sz\u00fcletett Ny\u00edregyh\u00e1z\u00e1n, audiovizu\u00e1lis alkot\u00f3, hangm\u00e9rn\u00f6k, filoz\u00f3fus. Jelenleg f\u0151k\u00e9nt a vide\u00f3m\u0171v\u00e9szet \u00e9s az<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-491","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/project-blanche.com\/hu\/wp-json\/wp\/v2\/pages\/491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/project-blanche.com\/hu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/project-blanche.com\/hu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/project-blanche.com\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/project-blanche.com\/hu\/wp-json\/wp\/v2\/comments?post=491"}],"version-history":[{"count":75,"href":"https:\/\/project-blanche.com\/hu\/wp-json\/wp\/v2\/pages\/491\/revisions"}],"predecessor-version":[{"id":1710,"href":"https:\/\/project-blanche.com\/hu\/wp-json\/wp\/v2\/pages\/491\/revisions\/1710"}],"wp:attachment":[{"href":"https:\/\/project-blanche.com\/hu\/wp-json\/wp\/v2\/media?parent=491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}